Catch-22 The Deft Touch of Catch 22: Hellers Harmonious admit of Comedy and Tragedy Since the dawn of literature and drama, comedy and disaster have always been partitioned into separate genres. Certainly most tragedies had comedic moments, and and so far the zaniest comedies were at times serious. However, even the development of utter tragicomedies unexpended the division more or less intact. desegregation a total comedy and a total disaster into a holistic union that not only preserve both(prenominal) features, but also blended them into a new and harmonical entity remained elusive. That is, until Catch-22.
Using his unique style and structure, Joseph Heller masterfully manages to interlay wit and terror, comedy and tragedy, and reveals in the process the perversions of the human character and of nine gone mad. The first stroke of Hellers deft touch is his infrastructure of outrageous characters, acting outrageously. From the first chapter, we are presented with a lot of unbelievable ...If you want to get a full essay, club it on our website:
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