The Baroque Period Essay -- European Art, Architecture, Lighting in Ar

The fascination with the concept of light (both physical and metaphysical) is one of the distinguishing features of the churrigueresque period (1600-1750). baroque painters from Caravaggio (insert dates) to Rembrandt (insert dates) and Vermeer (insert dates), all found inspiration in the symbolic representation of light, and relied heavily on light effects to animate their subject matter. In architecture the desire for theatrical effect and illusion was helped and achieving through lighting. rebirth buildings were based on simple proportions and relationships and their beauty lay in their unified harmony. All that was required of light was to make these harmonious proportions clearly visible. The grand effect was that produced by monochrome, uniform lighting. This was replaced in the Baroque era by the desire for theatrical effect achieved through lighting by center it on one area while keeping new(prenominal) areas in darkness. The different effects that light produces when striking surfaces of different textures were alike secondhand by Baroque architects. For example, surfaces were broken up by alternating stain or plaster walls with ones of large, rough stones. Surfaces could also be broken up by combining projections and overhangs with abrupt, deep recesses. Smaller-scale carved elements were also used, which gave an effect of run to the buildings surfaces architectural decoration of this type sometimes cover every feature especially at joins so that the surfaces of appeared to continue uninterrupted.Baroque churches used light as a visible manifestation of the magical with magical chiaroscuro (the technique of modeling form through gradations of light and dark) effects. In the Baroque church, the light is woven into... ...ed a sleepy village foreign Paris into a huge palace-town that served as a fixed laughingstock of government. The dazzling chteau was surrounded with gardens, reflecting pools, and fountains, which were used to baroni al effect during formal ceremonies, festivals, and fireworks displays. Versailles became the last European palace, not only because of its size, splendour and advanced layout but also because of the ideal manner in which it expressed absolutist power. Versailles was not the courtroom of a humble mortal but the residence of the Sun King. The impressive complex at Versailles prompted emulative palace-building and city-planning campaigns in Vienna, Saint Petersburg, and throughout Europe. Even Turin and other small state capitals were rebuilt according to Baroque tastes and concerns, with broad avenues, squares, theatres, and bastioned fortifications.